Tim Trilioni may have cut his teeth in the sonic gumbo of New Orleans, but “The Crash Out” proves his ambition stretches far beyond regional roots. Released just yesterday, the track dives into a fusion of moody strings, thumping drums, and an almost post-apocalyptic vocal flow that feels like it was made for a streaming-era thriller.
The team at National Capital Daily reports that “The Crash Out” is only the beginning of Trilioni’s new rollout. Two more tracks — “Fine 69” and “Que Rico” — are slated for November 11. Taken together, they represent a pivot into bigger, more cinematic territory, not unlike what Solange did with A Seat at the Table — stretching R&B into something more expansive, artful, and layered.
While while this track favors intimacy. “The Crash Out” is the most theatrical he’s ever sounded. The production is clean but tense, and there’s a vulnerability in his delivery that calls to mind artists like Kid Cudi or even James Blake — those who turn emotional unraveling into a sonic experience.
Trilioni’s not riding trends — he’s building bridges. Between street-level storytelling and orchestral production, between rap cadences and soul harmonies, “The Crash Out” feels like the start of a broader world we’re about to be invited into.
