Three Ways Brands Handle Trends (and One Way They Fail At It)

Everyone talks about “reacting to trends” like it’s one skill. It isn’t. There are three legitimate strategies here, each with its own rules — and a fourth, much more common outcome that isn’t a strategy at all, just what happens when nobody stops to check. Some brands sprint once and disappear. Some build an entire personality out of constant reaction. Some make their whole reputation out of refusing to play. And some just move fast, forget to look, and end up as a cautionary case study.

The One-Shot Sprint

February 3, 2013. Super Bowl XLVII. The Superdome lights go out for 34 minutes, and nobody knows why. Within minutes, Oreo tweets a picture of a cookie on a dark background with the line “Power out? No problem. You can still dunk in the dark.” Fifteen thousand retweets inside an hour. Roughly $525 million in earned media, by some estimates, against a tweet that cost nothing to run.

Here’s the part people skip when they tell this story: it wasn’t luck, and it wasn’t improvised out of nothing. Oreo’s agency, 360i, had built a physical war room for the game — writers, designers, strategists from multiple agencies sitting together, ready to move. They’d already been doing 100 days of real-time reactive posts that year, responding to whatever the news cycle threw at them, as practice. The blackout tweet took about a minute to actually write. The infrastructure that made that minute possible took months.

That’s the thing about this style of trend reaction. It looks spontaneous. It requires the opposite of spontaneity — a standing team, a clear enough brand voice that everyone in the room agrees instantly on what’s funny, and the organizational nerve to publish something in sixty seconds without three rounds of legal review. Most companies can’t do this because approvals alone take longer than the trend lasts.

Worth noting too: Oreo wasn’t even first to tweet about the blackout that night. Calvin Klein and a few others beat them to it. Nobody remembers those tweets. Speed mattered, but it wasn’t the whole game — being first with a mediocre joke loses to being second with a genuinely good one. That’s a harder thing to build a process around than “move fast,” and it’s probably why so few brands have managed to repeat what Oreo did even once, let alone as a habit.

The Permanent Personality

Wendy’s took a different approach entirely — instead of one perfect moment, they turned reaction into a daily habit. It started small in January 2017: a Twitter user questioned whether Wendy’s beef was actually fresh, and instead of a bland corporate reply, the account fired back, “Where do you store cold things that aren’t frozen? I’ll wait.” That single exchange got screenshotted everywhere. From there it became a bit, then a format, then eventually an actual holiday — #NationalRoastDay, where people ask to be insulted and Wendy’s obliges.

The numbers moved fast. Under a million Twitter followers before the roast era, north of 3.7 million by 2020, more followers than McDonald’s and Burger King combined at one point. But the more interesting data point is what happened when other brands tried to copy it. MoonPie adopted a similarly offbeat, sarcastic voice and it worked — as charm. It never worked as competitive positioning, because MoonPie doesn’t have a rival to spar with or a fresh-versus-frozen fact underneath the jokes. Wendy’s roast persona wasn’t really the strategy. It was decoration on top of an actual product claim — fresh beef, never frozen — that the brand had been sitting on for years without anyone paying attention.

That’s worth sitting with if you’re thinking about copying this style: the voice is downstream of something true. Borrow the tone without the substance and you end up with an account that reads as trying too hard, which is its own kind of trend, just not the fun one.

Refusing to Play

Then there’s the strategy that looks like the opposite of trend-chasing but is, underneath it, its own calculated move. On Black Friday 2011 — the single biggest retail moment of the American calendar, the day every brand screams “buy now” as loudly as it can — Patagonia took out a full-page ad in the New York Times with a photo of its bestselling fleece and the headline “Don’t Buy This Jacket.” Below it, an actual accounting of what that jacket cost the planet: 135 liters of water, 20 pounds of CO2, two-thirds its own weight in waste.

The ad wasn’t a stunt divorced from anything real. Patagonia had already built its Common Threads Initiative around reducing consumption before the ad ran, so the message landed as consistent with something the company had been doing rather than a clever contrarian bit invented for the occasion. Sales rose 30 percent over the following nine months anyway — refusing the biggest shopping trend of the year turned into one of the most quoted campaigns in advertising history, still taught in business schools more than a decade later.

This only works, though, if refusing the trend says something true about who you are. A fast-fashion brand running “don’t buy this” on Black Friday would read as a stunt, correctly, because nothing about that brand’s actual behavior backs it up. Patagonia could get away with it because the rest of the company’s decisions already pointed the same direction.

The Failure Mode That Isn’t Really a Strategy

There’s a version of trend reaction that doesn’t belong in the three above, because it isn’t a choice at all — it’s just moving fast without checking what you’re moving into. DiGiorno found this out in September 2014. The brand had spent the prior evening live-tweeting a football game in its usual loud, jokey voice, and the engagement was good. The next morning, #WhyIStayed was trending, and the account jumped on it the same way it had jumped on everything else that week: “#WhyIStayed You had pizza.”

The hashtag had nothing to do with football banter. It had started the night before as a way for domestic violence survivors to talk about why leaving an abusive relationship isn’t simple, in the wake of the Ray Rice assault case dominating the news. Nobody at DiGiorno checked before posting into it. The tweet came down within minutes, followed by a public apology, then individual apologies to dozens of people who’d been offended, then three weeks of near-total silence on the account.

Nobody at DiGiorno set out to make light of domestic violence — that’s the more useful part of the story, not the less useful one. This was a brand applying the exact reflex that had worked the night before, on autopilot, into the one situation where autopilot was the worst possible setting. Speed without a one-second check on what you’re actually joining isn’t a fourth strategy. It’s the absence of one.

Picking the Right One

None of these three approaches is inherently better, and most brands only actually have the infrastructure for one of them at a given moment. The one-shot sprint needs a standing creative team with real authority to publish fast — most companies without that specific setup should not attempt it, because a slow, over-lawyered version of a real-time joke is worse than no joke at all. The permanent personality needs an underlying product fact worth defending daily, or the voice curdles into noise within a few months. And refusing the trend only reads as confident rather than absent if the brand already has a track record that makes the refusal believable.

This is roughly the audit a digital branding process should walk through before a brand commits to any of these — not which one is trendiest to imitate this year, but which one the company’s actual operating reality can sustain past the first good moment. A design agency for startups pitching a Wendy’s-style social voice to a founder with no differentiated product underneath it is setting up a campaign that peaks in month one and has nowhere left to go.

Maybe the real skill isn’t reacting to trends at all. It’s being honest with yourself about which of the three real strategies you’re actually equipped to play, having the discipline not to attempt the other two just because they looked good on someone else’s timeline — and building in the one-second pause that keeps the whole thing from sliding into the fourth category by accident.

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